Quellgeister
"Quellgeister" (roughly translated as ‘source-spirits’) is a long term research project into the unique character of derelict pipe-organs in Transylvania’s abandoned fortress churches, left obsolete by the exodus that followed the fall of Communism in Romania. My aim is to investigate the various transformations that human-built ritual machines undergo once left devoid of human presence, as they are slowly changing their interior material composition, developing a spirit and climate on their own. I am observing the sonic progress of things / organs being left behind. Since 2008 I am in the midst of the testing-phase.
Each number of "Quellgeister" refers to a different deterriorated pipe-organ in a different transylvanian village. The instruments bear their very own characteristics, oddities and well-fermented tunings. So far i have realized three albums - investigated, recorded and performed at the chosen organs. A work observing the language of things in regard to it's current state and process.
“Elegie”, Quellgeister #3 ‘Bussd’
“…eschewing the pomp of sacred music for the fragile drone of an organic death knell. „Quellgeister is about the influence of nature on culture,“ says Fraunberger. Yet the project is also an oblique manifesto for utilising Europe's vacant and disused spaces, places and things. 'Why should i buy a new modular synthesizer if there's lots of unused organs standing around?' he asks. The inhuman vocalisation audible in the project's second volume do indeed resemble nature's very own modular patch, implanted in decaying keybords waiting to be discovered.“ (The Wire)
“Zustandshorizont”, Quellgeister #2 ‘Wurmloch’
Recent articles i have written about Quellgeister:
How to deflate history via abandoned pipe-organs or How to escape Mars(TheAttic)
Encounters with Beelzebubs Organs (CTM_Mag)
Releases / Labels:
Quellgeister #3 (Morphine Records)
Quellgeister #2 (Interstellar Records)
Quellgeister #1 (chmafu nochords)
Selected Reviews:
Note / Japanese

#3 Premiere / CTM Festival, Hau2, Berlin

Manual / Merghindeal

“herses, duo” Excerpt from herses (une lente introduction), 1997. Choreography Boris Charmatz. Interpretation Boris Charmatz, Johanna Elisa Lemke, Grand Palais Paris, January 2021. Music "Elegie" from Quellgeister #3, Photo: Laurent Philippe

#3 Bussd / Pipes

#3 Bussd / Interiour
#4 / Mechanics

“herses, duo” Excerpt from herses (une lente introduction), 1997. Choreography Boris Charmatz. Interpretation Boris Charmatz, Johanna Elisa Lemke, Grand Palais Paris, January 2021. Music "Elegie" from Quellgeister #3, Photo: Laurent Philippe
#3 Bussd / Mechanics
#3 Bussd / Manual

#3 Premiere / CTM Festival, Hau2, Berlin

#3 Bussd / Interiour
#4 / Outside